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The

Journal
By Gianluca Isaia

16 NOV 2015

The Volcano Lover - Part 1

by Gianluca Isaia
I have been always fascinated by the extraordinary episodes in the life of Sir William Douglas Hamilton, (1730-1803), a multi-faceted man born in Scotland who was a diplomat, archeologist, antiques expert, and volcanologist and the resident Englishman at the Bourbon court in Naples for a very long time in a period that witnessed great political, cultural and social upheaval. He remained in Naples from 1764 to 1800. "Vidi Napule e po' muori" [See Naples and then die], indeed! Mount Vesuvius, today as in the past, dominates the breath-taking scenery of the gulf and has attracted swarms of artists, poets, and scientists fascinated by its silhouette seemingly drawn by a Japanese calligraphist and struck by its apparently benevolent presence that is actually high risk, full of peril and periodic terrible eruptions. Hamilton devoted many of his studies and essays to Mount Vesuvius. His long-standing passion emerges in Susan Sontag's novel about Hamilton that was published in 1992: set in Naples in the late 18th century it is called, as a matter of fact, "The Volcano Lover". Mount Vesuvius, and everything connected, is something that has strongly conditioned the life in this entire geographical area. It is a regal yet duplicitous and ambiguous host, the dispenser of life and death. San Gennaro – Saint Januarius – help us!

Sir William Douglas Hamilton

Fall Winter 2015/2016 Collection

Sir William Douglas Hamilton remained in Naples
from 1764 to 1800. "Vidi Napule epo' muori"
[See Naples and then die], indeed!
William Hamilton also inspired the fall/winter 2016 collection. "The Volcano Lover" links Vesuvius and Pompeii, a place frozen in time by the eruption in 79 A.D. and rediscovered through archeological excavations in the 18th century that reinvented the concept of classicism and gave the world countless suggestions and artistic, decorative and literary nuances. I wanted to transmit that mood through the choice of colors for the fabrics and with certain details and materials.

In short, the focus was Pompeii, which became a true obsession for Hamilton and 18th century tourists. Meanwhile, Europe fell in love with Pompeii through a fundamental book called "Les Antiquités étrusques, grecques et romaines," written by Baron d'Hancarville and featuring 436 engravings by Pietro Bracci.

To be continued..